No Film School
The critically important art of crafting an effective and attention getting log-line. How to decide what elements you need to attach to give your script its best chance at success. Tips on writing a One-Sheet presentation that get people to want to read your script.
Who to contact and what you can do to pierce the veil of Hollywood. Phone tips for talking to Producers and executives who want to hear your pitch. General information about certain legal agreements, such as Options and Producer agreements. Hollywood protocols for following up, and establishing long lasting relationships that can support you throughout your career. Writers who are trying to decide which of their ideas they should pursue and stand the best chance of being sold. Writers who want to improve their log-lines so more people will request their script. Writers and producers who want to understand how option and producing deals work and who want to know the difference between indie and studio deal making.
6 Tips On How to Sell Your Screenplay
Anyone wanting to know how scripts are set-up and sold and what it takes to get them produced and released theatrically as a feature or TV film. The Writers Store does not offer any refunds for the webinar. All sales are final.
Return Policy Your satisfaction is our top priority. Meet the Author: Steve Longi Producer, Steve Longi is the founder and president of Longitude Entertainment; a production company formed to purchase screenplays, books, true-life stories, and original film, TV, and Internet properties. After reading the script, he offered to host a reading with some of his actor friends. Since I was familiar with many of the actors because they were on TV and in movies this was a surreal experience and is still one of the major highlights in my LA life.
You can approach people who know people in the industry and see if they will read your script and make introductions to Hollywood heavyweights. If you place well in the contest, your work will get noticed by industry judges. Additionally, a win will give you just enough leverage to contact agencies with your news. With that said, make sure you only focus on reputable screenplay contests.
Have you heard of the contest? If not, can you reach out to past participants and find out about their experiences? This will help you determine the pros and cons of each screenwriting contest. I figured if I was on the inside, it would be far easier to add my script to the stack than merely sending a query letter. But what I gained was so much more valuable.
After months of working with the producer, I realized that real power players do not ask for permission to make movies. After producing my first feature, a lot of good stuff started happening. Aside from selling many units of the movie, everybody involved found bigger and better work. And our writer found an agent with one of the big Hollywood agencies. Regardless of your strategy, making a movie is risky.
afakunixecun.tk — Practical tips and advice to help you sell your screenplay.
Anytime a movie gets produced, someone has risked their reputation and livelihood to make it happen. And here is the quick catch As soon as you are a produced writer, people will often scramble to read your material. To get this this point, you need to actually get something produced.
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Otherwise, do not bother sending it out. And even if your screenplay is great and you find a bunch of industry pros enthusiastic about your material, there are no guarantees.
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It may still take months and possibly years before you see any money for your work. Just check out the Hollywood Screenplay blacklist for examples. So the question is, why depend on someone else to get your movie made?